We’ve been shooting large-scale and 360 footage for the past 25 years. Camera technology has evolved but the main principles of shooting and stitching 360 images remains the same. Only relatively recently has more powerful computing democratised virtual production, thus allowing all studios, whatever their size, cost-effective access to advanced virtual production.
Who we are
I am a dedicated 360 and panoramic photographer, and have been specialising in large-scale images for over 2 decades. My team includes a dedicated producer, plus a skilled team we bring in as and when needed depending on the project brief. Working with my company Eye Revolution, we can access more photographers and studio operators for larger productions. Clients include Apple, Land Rover, the BBC, Rolls Royce, and many more. These have been used in a huge range of environments, from large format digital to green screen, from translights to car interiors, kiosks to wallpapers, and increasingly in LED volumes.
Every project is different. My team and I have long experience in tailoring images for a wide variety of platforms. This helps our clients ensure they have the best possible capture to suit their brief. This might be high dynamic range, high resolution 360 or panoramic footage, or pixel-registered day-night transitions. For backgrounds with movement, we can utilise the best available equipment to create 360 video for backgrounds.
Often, clients come to me to access the library of hi-res images I’ve built up over the years, whether that’s gigapixel images, 360 content or car interiors. I’ve shot from a huge variety of locations from London cityscapes from cranes atop tall buildings, to offshore oil rigs, to desert 360s. Other clients require content commissioned to order. Whatever you need and however tricky the location, we’d love to hear about it.
Some of the work we’ve undertaken recently include providing cityscape backgrounds for a music video that reached No.2 in the UK Dance Chart; translights for a TV series in Norway, cutting the need for the crew to location scout and shoot in London; images for the LED volume for a Vodafone MENA campaign; and currently we’re working on providing licensable assets for a major UK filming location for multiple sites that cannot be easily accessed by full film crews.
Get in touch
If you’d like to learn more about the way we can help you, how I shoot, or just fancy a chat about any potential projects, it’d be great to make contact. Please feel free to call me on 020 360 31047, email me at [email protected], or if you prefer you can use the contact form.